Invoice For The Bill of Rights
Description
Invoice For The Bill of RightsLimited Edition of 75 from the organic series, printed on Hahnemhule 320 gsm textured fine art paper. This piece comes signed and numbered by the artist.
Edition of 75
CHERYL BROCK: Born: Buffalo, NY Current Residence: New York City, NY TRAINING: Hartford Art School, BFA @ Philadelphia College of Art (now U of the Arts) POST GRAD: Textiles @ Fashion Institute of Technology, TV- Production (ABC-TV Scholarship) @ Parsons School of Design, Anatomy (ongoing) @ Art Students League MEMBERSHIPS: New York Artists’ Equity, Portrait Society of America, Art Students League, Colored Pencil Society of America COLLECTIONS: Private, University & Corporate in U.S., Canada & Israel FOCUS OF HER ARTWORK: 1. Anatomically accurate observations required for Portraiture & High Realism: the goal to get beneath the mask to reveal the truest self in an unguarded moment. 2. “Organic Grid” series which are basically abstract patterns providing a form to accommodate the mess, glee, disorder & disenchantment of life. Importantly, these Grids also serve as a laboratory for new ways to draw. INFLUENCES: Van Gogh, Kaethe Kollwitz, Rudy Zallinger, Cecilia Beau, Josef Albers, Hananiah Harari, Rico Lebrun & Crafters A.S. Brock & Nancy M. Bess.
Original completed in 1993, print published in 2007
Edition of 75
CHERYL BROCK: Born: Buffalo, NY Current Residence: New York City, NY TRAINING: Hartford Art School, BFA @ Philadelphia College of Art (now U of the Arts) POST GRAD: Textiles @ Fashion Institute of Technology, TV- Production (ABC-TV Scholarship) @ Parsons School of Design, Anatomy (ongoing) @ Art Students League MEMBERSHIPS: New York Artists’ Equity, Portrait Society of America, Art Students League, Colored Pencil Society of America COLLECTIONS: Private, University & Corporate in U.S., Canada & Israel FOCUS OF HER ARTWORK: 1. Anatomically accurate observations required for Portraiture & High Realism: the goal to get beneath the mask to reveal the truest self in an unguarded moment. 2. “Organic Grid” series which are basically abstract patterns providing a form to accommodate the mess, glee, disorder & disenchantment of life. Importantly, these Grids also serve as a laboratory for new ways to draw. INFLUENCES: Van Gogh, Kaethe Kollwitz, Rudy Zallinger, Cecilia Beau, Josef Albers, Hananiah Harari, Rico Lebrun & Crafters A.S. Brock & Nancy M. Bess.
Original completed in 1993, print published in 2007


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