Description
Olive OilYou are viewing a high quality fine-art print which is published using only the highest industry standards, such as Lithography & Serigraphy . All prints we carry are an excellent reproduction of the original piece. Most prints are on a thick (120 pound or higher) stock of paper. Each print is of the highest fine art print reproduction quality and published either in our studio or by the worlds top publishers. These prints have vivid colors and excellent vibrancy and will be a great addition to any art collection.
Van Arno has shown extensively throughout the US and Canada as well as internationally. His work was featured at the Hollywood Art and Culture Center along side Mark Ryden, Chaz Bojorquez, Kenny Scharf, Anthony Ausgang and other great artists. He has been featured several times in Juxtapoz magazine and is considered a pioneer of the lowbrow art movement. Van continues to push the human form into more and more extreme postures, causing him to name his painting style Uber-Mannerism. His ongoing fascination with the imagery of religion and its use of the heroic figure found new relevance recently, as American 'values' were re-examined at home and abroad. Although he has been exploring non-narrative themes recently, his focus remains on the figure and it's power to engage the viewer.
Van Arno has shown extensively throughout the US and Canada as well as internationally. His work was featured at the Hollywood Art and Culture Center along side Mark Ryden, Chaz Bojorquez, Kenny Scharf, Anthony Ausgang and other great artists. He has been featured several times in Juxtapoz magazine and is considered a pioneer of the lowbrow art movement. Van continues to push the human form into more and more extreme postures, causing him to name his painting style Uber-Mannerism. His ongoing fascination with the imagery of religion and its use of the heroic figure found new relevance recently, as American 'values' were re-examined at home and abroad. Although he has been exploring non-narrative themes recently, his focus remains on the figure and it's power to engage the viewer.
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